Maker / FX

MAKER / FX
I LEARNED
BY MAKING.
SCULPT / PAINT
No straight line. Just doing the work.
I’m largely self-taught. I learned on sets, in workshops, from other artists, through Stan Winston School online — and by doing the work.
HANDS ON. ALL THE WAY THROUGH.
Sculpt it. Fit it. Paint it.
Sculpt it. Fit it. Paint it. Keep working until the thing in my head is something I can put my hands on.




Not just a face on a screen.
Full creature suits. Blood rigs. Prosthetic sculpting. Practical FX. Creature sculpture, painting, props, and handmade horror objects. Different materials. The same need to make something real.


ALWAYS MAKING SOMETHING.
Clean workspace?
Never met her.
Apparently watching TV requires clay.
Sometimes it’s a creature. Sometimes it’s a coffin box with teeth. There’s usually something on the workbench that wasn’t there yesterday.
Apparently watching TV requires clay.
STEVE WANG / ONYX FORGE
A little kindness goes a long way.
Steve Wang gave me one of my early Los Angeles opportunities at Onyx Forge after we’d gotten to know each other through conversations about paint. He let me bring my son to work when I needed to. We’re still friends. I haven’t forgotten that kindness.
Different materials. Same instinct.
Take the pieces. Figure out how they fit. Make something that works.
SAME PIECES. DIFFERENT POSSIBILITIES.
Different tools. Different worlds. Same instinct.